Musical reading and writing during childhood. Beyond the five lines of the staff

Authors

  • Diego Calderon-Garrido Universidad Internacional de La Rioja
  • Rosa de las Heras Universidad Internacional de La Rioja

DOI:

https://doi.org/10.21932/epistemus.5.3855.2

Keywords:

musical education, musical writing, musical reading, unconventional writing

Abstract

The reading and musical writing in the childhood is a controversial subject on which there are arguments for and against. This experience reflects on the need to teach the students of this stage to visualize the sound in a visual way. For this, the adaptation of traditional writing, without being exclusive to the children's stage, is justified, and several proposals are proposed for the classroom.

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References

Ballesteros, M. (2012). Recursos didácticos para la audición musical en la educación infantil. Eufonía, 54, 103-110.

Barniol, E. (1998). Pensamiento pedagógico y acción educativa de Zoltán Kodály. Música y Educación, 35 (3), 85-102.

De las Heras, R. (2015). Zapateado flamenco. El ritmo en tus pies Vol.1. Ejercicios de negras. Barcelona. Boileau

Montón, J. y Del Pozo, T. (2016). Flamenco Kids en el Jalintro. Madrid. Karonte

Riaño, Mª E. y Cabedo, A. (2013). La importancia del patrimonio musical en el aula. Estudio sobre la opinión del profesorado en educación infantil. Eufonía, 58, 67-78.

Schafer, M. (1969). El nuevo paisaje sonoro. Buenos Aires: Ricordi.

Published

2017-12-29

How to Cite

Calderon-Garrido, D., & de las Heras, R. (2017). Musical reading and writing during childhood. Beyond the five lines of the staff. Epistemus. Journal of Studies in Music, Cognition & Culture, 5(2), 81–87. https://doi.org/10.21932/epistemus.5.3855.2

Issue

Section

Relatos de Experiencias Pedagógicas