Chiharu Shiota and the trembling of contemporary art

Authors

DOI:

https://doi.org/10.24215/18536212e088

Keywords:

Chiharu Shiota, contemporary art, installation, exhibition

Abstract

This article aims at examining the work of Chiharu Shiota (Osaka, 1972) and its contemporary characteristics. To do so, the 2021 exhibition The Soul Trembles at Taipei Fine Arts Museum in Taiwan is considered as a study case. Different works were shown there among which the installations stood out. These presented new senses as well as several ways to consider art. Thus, the art field can be tensed and the space-time situation, proper of contemporaneity, can be analyzed.

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References

Aira, C. (2016). Sobre el arte contemporáneo seguido de En La Habana. Literatura Random House.

Garramuño, F. (2015). Mundos en común. Fondo de Cultura Económica.

Groys, B. (2009). La topografía del arte contemporáneo. En T. Smith, O. Enwezor y N. Condee (Eds.), Antinomies of Art and Culture. Modernity, Postmodernity, Contemporaneity (pp. 71-80). Duke University Press.

Moyinedo, S. (2017). Dominique en el espejo. Sobreescrituras, (2), 41-45.

Moyinedo, S. (2019). Representaciones contemporáneas. Octante, (3), e002. https://doi.org/10.24215/25250914e002

Shiota, C. (2021). The soul trembles. Museo de Bellas Artes de Taipei.

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Published

2024-10-29

How to Cite

Higa, J. E. (2024). Chiharu Shiota and the trembling of contemporary art. Plurentes. Artes Y Letras, (15), 088. https://doi.org/10.24215/18536212e088

Issue

No. 15 (2024): Plurentes. Artes y Letras

Section

Popular Articles

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Copyright (c) 2024 Julia Eleonora Higa

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